By using hair, often in conjunction with bones and animal skin, her sculptures bring to mind ritualistic objects, such as sacred totems or idols used for sinister voodoo. The use of certain colours further suggest these ritualistic connotations, with recurring flashes of blood red and purple (a colour which, due to its rarity in nature, has come to be associated with the supernatural, spirituality, and mourning). By contrast, Bachhuber’s use of geometric motifs and a predominantly monochrome colour palette offers a different perspective through its modern, minimal aesthetic. The effect is powerful in its complete contradiction to the primal wildness suggested in her sculptures, seeming to displace these mysterious creatures from their otherworldly realm.